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As an active audience – I choose to leave home in anticipation to the theatre world unfolding. There’s something about the SUNRISE with its orange hues, peering through ominous clouds – like a stage coming to life. Like an orchestra pit, the different instruments of birds chirping, singing in harmony with the rustling of the leaves and the swaying of trees, creates the soundscape, as a prelude to a show. There’s excitement! The action begins. People speaking to their loyal ‘furry friends’ and graceful flowing movement from a ‘capped’ number of Tai Chi practitioners. Stage left, physical tension from a group of sweaty ‘outdoor’ gym junkies, being pushed to a hilt by a ‘director’ of some sort.
I even braved it and challenged myself to self tape a weekly solo ‘freestyle dance’ activity, and yes, done outdoors, early hours of the morning. There’s also audience participation. I played as a secret agent once or twice. Just to see who has been wearing their mask and if people are gathering in right numbers. I have a part to play. Badly, I may add – felt guilty spying on my fellow human beings.
I did report an unkempt area in the park, where ‘law breakers’ left behind, an array of empty glass bottles (some were broken on the ground) and take away fast food boxes, next to a playground. Reported it to the local authorities for safety reasons. YES, I played my part.
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As creatives, we are storytellers. We invest on our artistic passion, by creating more, experiencing, immersing different forms & learning from others. We commit to honing in on our specialised craft, training, deconstructing and even experimenting with passion & dedication.
The path is sometimes rough. Encounter barriers, yet, keep going. LUCK does present itself - often takes you by surprise. There’s also the uphill battle with letting your voice heard, several mountains to climb & YES, overcome!
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By Lorna Wells
Partnership with Divergent Theatre Collective
Photo By Toby Lee (Headshot Toby)
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Divergent Theatre Collective is an exciting theatre company with affiliations in London, Melbourne, Adelaide & Sydney. It is a union of International theatre makers.
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Even in these times, there is camaraderie in a coffee cup.
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What can the ‘world of theatre’ deliver during lockdowns and a global pandemic? Is theatre still relevant when we eventually reopen?
Since that eureka moment halfway through the latest Melbourne lockdown, I have started to embrace and look out for different signposts. Revisiting basics of storytelling, from early childhood myths, researching puppetry skills, to taking some inspiration from Augusto Boal and many more theatre practitioners. So many exciting possibilities of how theatre would be like and experienced when we finally reopen. And they involve the simplest form of audience engagement, having a sense of community and above all, keeping the imagination and the passion of the ARTS alive.
There’s DRAMA everywhere. Now – let’s do our part to safely reopen our industry.
Till next time.
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\",\"settings\":{\"styles\":{\"text\":\"left\",\"align\":\"flex-start\",\"justify\":\"center\",\"m-width\":\"75.79250720461094%\",\"position\":\"6/10/8/12\",\"m-element-margin\":\"0 0 26px 0\"}}},\"headerText1\":{\"type\":\"GridTextBox\",\"content\":\"Born from Cebu City, Philippines, Roman migrated with his family to Ceduna, South Australia, where he discovered his love for community theatre and the arts. He trained at Flinders University Drama Centre (Acting) and Centre For Performing Arts (Dance). Performance career highlights include Cameron Mackintosh’s Australian Premiere of Miss Saigon; Harry Miller’s Pageant: The Musical. He was the Artistic Director II Commonwealth Youth Games Opening & Closing Ceremony (Australia) and created/ facilitated & conceptualised Body and Mind, Wellness Workshops (The Voice of Domestic Workers UK).
He recently returned to Melbourne, after ten years in London, where he collaborated as Director/ Movement Director on several Off West End and Fringe Theatre productions, focusing on New Plays & New Musicals. These were with companies such as Get Over It Productions, The Bread & Roses Theatre, Goldsmiths University, The Hope Theatre, The Jack Studio Theatre, Arrows & Traps Theatre Company, just to name a few. He was also an Artistic Associate and later promoted as Marketing and Production Manager at The Bread & Roses Theatre, London.
He directed Lorna Wells’ sold out season of It Tastes Like Home, The Musical (London). Whilst back in Melbourne, he directed Jamila Main’s Butterfly Kicks for 2019 Queer Quickies Festival at Theatreworks (Melbourne); Creative Advisor for Narre Warren South P12 College's 2019 production of Hairspray The Musical; Workshopped a development reading of DTC’s Illegals The Game Show at Multicultural Arts Victoria and directed Electric Dreams The Musical by Drew Lane, produced by Music Theatre Melbourne.
He is the Artistic Director for Divergent Theatre Collective, which champions new work.
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I am PASSIONATE about all things ARTS. I also know the reality of the competitiveness and the limited opportunities the industry has to offer, especially, back home now, in Melbourne!
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Centre Stage: Covid 19 and Global Pandemic! Covid Cases keep going up. The world pressed PAUSE. People are dying. Many, hospitalised. High numbers get ill. Even the young are not immune to it. Lockdowns have been introduced to try and repress it. Virus mutate. Becomes aggressive. Can ‘fleetingly’ spread. More lockdowns. Limited activity. Strict rules.
Good news. Some HOPE. Spotlight – VACCINE. Purpose: Protection + Prevention. The signs are promising. It’s been a DRAMATIC 20 months.
The pandemic ultimately became a circuit breaker on the many rituals I had as a THEATRE MAKER. The countless meetings and Café catch ups with other creatives discussing all things theatre – stopped. Exciting moments when you were in a rehearsal space, moving and moulding a new piece of work with a group of like-minded ‘makers’ – stopped. That time where you line up in a foyer, packed like sardines, chatting sometimes with a glass of bubbly and a program in hand – stopped. The industry – stopped. Covid 19 – the catalyst.
AND – vulnerability within the sector was exposed. Job losses. Despondency. Uncertainty. Lack of financial support from the government. You only have to go to Twitter verse and read phrases, like ‘time to quit’ from frustrated professionals in the industry. Some got stuck in desperate situations. Poverty exposed. Enormous pressure on people’s wellbeing and mental health.
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We need to foster the Arts from the early age, let childhood immerse in it. The lack of artistic curriculum in schools, sometimes due to limited funding or seen as ‘not a priority’ in early education hinders discovering and enjoying it!
The apathy is also reflected now, with austerity measures by governments, the Arts funding (or not a priority), especially in the grassroots and community level, are in the firing line. It’s getting harder to enjoy and watch theatre shows. New & important stories, Independent Theatre makers gets lost over mainstream & big budget productions, which has hefty cost (and rising) to see, often reruns of past shows.
We need to challenge the status quo. We need to empower the theatre makers, the dreamers, creators, educators, artists, storytellers and every child who craves for the ARTS. If you know of anyone involved in theatre, the arts in general, GO ENCOURAGE & support them! Arts is LIFE & everyone involved in THE ARTS contributes to life’s JOY! It is our legacy.
I truly believe that THEATRE and THE ARTS, heightens our own sensitivities, it enhances our cultural knowledge and give us a broader understanding of our world! It strengthens our shared sense of humanity.
Celebrating #COMMUNITY, #DIVERSITY and #INCLUSIVITY in theatre!
Rehearsal Photo by Headshot Toby (Toby Lee) From October 2018 It Tastes Like Home – The Musical By Lorna Wells.
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